Dhivan Thomas Jones

Giacometti in the Foundation Beyeler


 

Where is Walking Man II walking?

Towards Large Standing Woman, it would seem,

but his gaze aims somewhere much further away,

somewhere remote and perfect, to be attained;

and his forward-leant arm-clenched stride

makes time

flow about him like blueish oil

so he feels the constant rub of not-arriving.

 

She, meanwhile, collects the dew

of eternal morning in her womb,

opening to the moment like a flower of clay.

 

Bronze chunks thin-slung along wires suffice

for these illusions, and we spectators become

the sunshine among embodiments.